Saturday, November 20, 2010

Cache @ the Casket Today!

See the Foot Powered Ship at Cache @ the Casket today 10am to 5pm. Cache @ the Casket is an annual Fall Open Studio tour at my studio in the Casket Arts Complex in Northeast Minneapolis.  Over 75 artists with art, free food, wine, music, and candy, candy, candy. See more info at www.casketartscache.com

Read the write up in City Pages at  http://www.citypages.com/events/cachande

or see the Facebook Page at 

http://www.facebook.com/event.php?eid=11

6442638414397

Image from Nauticalia Tentacalus-Ship #10, Pete Driessen ©2010, Size Varies, Mixed Media/Found Object, from Fleet of 50 ships.


 x0x0x0x's, pete

Friday, October 29, 2010

ReBranding and Reframing the MAEP.


Dear Minnesota visual artists and friends:

My name is Pete Driessen, and I have been a practicing artist within Minnesota  for over 25 years. 

I am interested in ReBranding the MAEP/Minneapolis/Minnesota as an engaging, credible international arts destination:

I would like to encourage the MAEP to move to a contemporary platform that has multiple vectors that move at multiple velocities.  Yes, that is multiple platforms of arts programming that move at multiple speeds.  This would allow many more artists to be involved, would allow the MAEP to shape-shift in a positive manner, as well as allow further diversification of our collective creative products.

I would like to bring new museological, curatorial, and alternative techniques and tactical strategies to presentation of visual arts.  I would like to encourage moving beyond the slow dinosaur style, linear calendar method of 4 shows a year.  I would like the MAEP be thee place to be, and to put the MAEP on the global art map.

Instead of  the stigma of “flyover”…let’s together reframe MN as a “total fly zone” for the arts.  We can be, and should be, a site of high quality artistic “staycation.” 

Now that the dust of last two years of administrative change has settled, I would like to initiate a Cluster of New Programs & Initiatives:

These might include:

Logistical Changes:

Panelists take on a greater working role. Panelist should get paid. 

Open panel-meeting policy—develop semi transparency.

Two permanent artist positions on MIA Board of Trustees (one younger than thirty/one who sits on the Acquisitions committee)

Sustainable MN residency status (live in MN longer than two years/doing quality midcareer level work)(MAEP is Not part of the MN art welfare state!)(You must “prove” yourself as a sustainable MN artist resident)

Two large meetings per year.   One in early summer/something fun (Hot Dish, etc), the second is a business meeting.  Both would have a separate purpose.

Someone Younger than Jesus on Oversight Panel. (No offense to the old farts, Carol & Wayne)

Seeing the art of those running for the panel prior to the meeting and at the meeting.  Have those running send in a Jpeg of art with the statement ahead of time to put online and use to present in the voting queue.

Another position on Advisory Panel to prevent tie votes.

Programming Platforms:

An Alternative, Semi Autonomous Artist Space outside the Stevens Avenue Real estate. (Northeast Mpls?)(This site could take the role of the missing middle museum/organzation)

Both short term and long term artist residencies. (MIA + off site with other institutions)

Independent Study program, with core group of Artists & Educators. (Whitney/Critical thinking)

International Focus in our PR/Advertising via using our award winning advertising & design community (multiple intl. mags)(local pro-bono design & printing)(the design community would die for the MAEP as a portfolio piece!)

Sister city Museums with other alternative programs at art museums/galleries/nonprofits in Berlin, London, Beijing, on all major continents as well as regionally within the states.

Push for more advanced digital technology—beyond social networking, web streaming, and wiki-- by partnering with local Northern Lights, to develop experimental, interactive and network based practices.

Further critical dialogue with local writers/critics into a quarterly published tabloid, again partnering with the publishing and printing industry. 

Major multi-venue large-scale art project on the level of Documenta/Site Santa Fe every 3 years. (Think of all the sites thruout MN that would be great for this).

Summer long & short term art/dialogue workshop venue in northern Minnesota  (Vermont College or Skowhegan style models).  Overtake a faltering resort on a lake.

Mentorship program (Similar to WARM, or in conjunction with Wactac/MIA Arts Masterpiece program)—especially needed for young males.

Contemporary MN & MAEP Archive & artists library development, via partnering with MNArtist.org/McKnight/ Midway/MN History center)

MIA collecting the work--but also, key placement of the work in more prominent & important collections.

Series of self published Mn artist Monographs/Prints/Artist Books—sold to help fund MAEP/partner with High Point Center for Printmaking/MN Center for Book Arts

MAEP Television program Partner with local access, TPT, or 3Min Egg.

MAEP Art Industry Awards (Similar to Music Industry)(Just think of the fun categories!)

Wide range of artist designed promotional materials & advertising specialties for distribution and sales.

Artist Commons programming/Exchange/Give & Take.

MAEP I-Phone App.

Our own artist run Conceptual Pronto Pup Stand at the MN State Fair.

Sarah Palin Swimsuit contest (We know Billy X would win every year!).

The idea list can go on and on.

So I can hear all the critical, academic and institutionalized EEyores groaning and whining about art, change, and money.  This is a grant writing/funding state!  This is a arts supportive state. Change is healthy and positive!  Change is good!  Rebranding and reframing the short and long-term goals, visions, priorities and programming will help establish a critical aesthetic framework for the MAEP for years to come.

I will take this panel position seriously, be responsive, accountable, flexible and adaptable.  I look forward to representing you, working with the MAEP Curatorial Staff, and furthering the rebranding of our wonderful gallery venue.

Thank You!

Pete

Wednesday, October 20, 2010

Link to new album from recent Nauticalia Tentacalus installation!

Here is a link to a new Facebook photo album from my recent Nauticalia Tentacalus: YeOldeSe(a)menShoppe installation at They Won't Find Us Here Gallery. http://www.facebook.com/album.php?aid=75407&id=1635349353&l=bd9953e57e.  Take a maritime walk around the fore, aft, port and starboard sides of the gallery installation with images from photographer Sean Smuda.  The images reflect the breadth of the object finds, ephemeric research, and bibliographic entries from the exhibition.  An eight page List of Works/Bibliographic Artist Statement accompanied the gallery show.  Listed were all items in categorized sections of the gallery, including the Optimist Dinghy w/Boat Parts, Turntable/Trophy Case, Dressing Chair/Objects, Nautical Library, Stag Magazines, & Swabby Washbucket items. Thanks, pete

Sunday, October 17, 2010

Butterflies Overtake New Artist Home.

Here is a realtor photograph of the new, anonymous artist home that boasts three hokey butterflies on the front, and a wooden woodpecker in the backyard.  Built in 1951, the artist/gallery bachelor pad comes complete with  Jute wallpaper in the basement, an orange Linoleum main bathroom, a Barbers style wallpaper in half bath, a red Naugahyde bar with red Shag carpet foot rest, a Knotty pine second floor with Daisy stickered ceiling, a dark Sheet paneling bedroom, Fake garden flowers, extra low Awnings, Faded circular exterior Thermometer, Raspberry bushes, Kitchen key and Matchbook racks, BluDot shelving, Built in Gun rack, thin Clothes shoot, several Shoe Horns, Millionaire Cologne, Ten year old Snyder Mouthwash, framed SplitRock Lighthouse poster, Christ Has Risen wall hanging, and Astro Turf lawn.  This simple urban home is the future site of pancake smorgasbords, actively engaged creativity, and artistic conversation in the rear TuckUnder Gallery.  
 Best wishes, pete

Thursday, October 14, 2010

MCA - VOTE ARTS



Vote Arts! Filmed at Giant Steps Conference, Wellstone Center, St. Paul, MN. Thanks, pete

New CSI Images back from the CCC/KQ? Labs!

Detecting Curation Detritus-Orange Fuzzy String/Yarn. From Metal Detection Performance at Curatorial Cult Club/Kwestion Quration?, Walker Art Center Open Field, Minneapolis, MN USA, 9/1/2010. Pete Driessen © 2010.

A new album of my CSI images from Curatorial Cult Club/Kwestion Quration? have been posted on my Facebook page.  Taken in studio, these artist cell phone images illustrate the hidden detritus collected with a metal detection device during my performative Detecting Curation event at the Walker Art Center Open Field commons on 9/1/2010.  Whether  small or large, metal or plastic, sticky or slippery, a partially eaten Wolfgang Puck hamburger or a lost silver peace sign earing/necklace hanger, the images reflect, reframe and represent the wide spectrum of artist, viewer, audience, participant, administrative, museological and curatorial activities that often go overlooked within the subterranean spatiality of the art center.  The participatory found objects and process based studio images both combine and become exhibitionary elements and alternative publication components. pete

Monday, October 11, 2010

Thanks to They Won't Find Us Here Gallery!

Thanks to all those who ventured out to view my opening of Nauticalia Tentacalus at They Won't Find Us Here Gallery on Friday Night!  A beautiful mid October night and fall evening in South Minneapolis was perfect for gathering, conversing, and talking art.  That little pinkish beige ceramic and metal ship in the window was a "Find" at a local thrift store.  It is unlabeled,  actually lights up thru the portholes, and was a beacon signal to let gallery viewers know that they had found the right spot.  I'm guessing it's from the 50's or 60's.  If anyone who knows more about this type of lamp-- please send me a note-- because I am researching its value. Images of the installation in the raw gallery space will be posted on Facebook soon. 
x0x0x pete
Photo Credit: Sean Smuda.

Friday, October 8, 2010

Sneak Peek of Tonight's Show!

Here is a sneak peek of my artwork opening tonight at They Won't Find Us Here Gallery. 7-11P.M.  3500 Bryant Avenue South, Minneapolis, MN.    Photo by Sean Smuda.  Hope to see you!,  pete

Thursday, October 7, 2010

Nauticalia Tentacalus/YeOldeSe(a)menShoppe

My solo show entitled, Nauticalia Tentacalus/YeOldeSe(a)menShoppe at They Won't Find Us Here Gallery opens this Friday night from 7-11. They Won't Find Us Here Gallery is located at 3500 Bryant Avenue South(Alley side), Minneapolis, MN, USA. For more information call: 406-207-0796 or visit our website: http://www.theywontfindushere.com/

Image:  Walt Disney Presents the Story of 20,000 Leagues Under the Sea, Album Cover, Walt Disney Productions, ©1963.


Tuesday, September 21, 2010

Curatorial Cult Club/Kwestion Quration?

 This past summer I had a blast at the Walker Art Center Open Field Commons.  Here's a brief report:
Pete Driessen © 2010.   Sandwich Board #2-Installation Detail (Loneliness).  Dry Erase Marker on Sandwich Board. Size Varies.  Series of 10 weekly Sandwich Boards.  The Curatorial Cult Club/Kwestion Quration? Walker Art Center Open Field, Minneapolis, MN. An artist curated, ten week participatory/performative solo exhibition and alternative publication project. Artist Cell Phone Photo.

     My recent conceptual project, Curatorial Cult Club/Kwestion Quration? at the Walker Art Center Open Field commons was an artist curated, ten week participatory and performative solo exhibition and alternative publication project.  The hybridic project started as a post work/happy hour discussion group that questioned the shape shifting status of curation.  Based in the variables of viewer and audience participation, museum rules and guidelines, and artist and museum worker communication, the project changed shape throughout the summer with weekly art and social dialogue, interactivity and exchange.
Pete Driessen © 2010.  Curation Study Image #1-Installation Detail (Which type of curator are  you?)  Xerox on Copy Paper.  8.5x11 Inches. Series of 10 weekly Visual Image Handouts.  The Curatorial Cult Club/Kwestion Quration? Walker Art Center Open Field, Minneapolis, MN.   An artist curated, ten week participatory/performative solo exhibition and alternative publication project. Image from Carmel, James. Exhibiton Techniques. NY: Reinhold, 1962. Artist Cell Phone Photo. 

The three main goals of the Curatorial Cult Club/ Kwestion Quration? were to: 1. Demystify and discuss the multiple vectors of the curator, the curation field, and the curatorial habitat and ecosystem.   2. Co-Curate a participatory exhibition/event within the Open Field commons that questions curation.  3. Self publish our curatorial discussion/outcome in an alternative publication at the end of the summer.
Pete Driessen © 2010  Curation Study Image #3-Detail (Pontoon Boat as Curatorial Ecosystem) Xerox on Copy Paper8.5x11 Inches. Series of 10 weekly Visual Image Handouts.  The Curatorial Cult Club/Kwestion Quration? Walker Art Center Open Field, Minneapolis, MN.  An artist curated, ten week participatory/performative solo exhibition and alternative publication project.  Image from www.freepatentsonline.com.  Artist Cell Phone Photo & Internet Download.
    Multiple curation topics and definitions were informed organically via participant discussion.  From curatorial models and museological structures to the curator as a developer of institutional memory, the weekly conversation acted as a springboard to our collective exhibition and publication.  Topics included but were not limited to:  Curatorial & Museological Spatiality, Habitats, & Structures; Curatorial Cults & Curator Star Status; Curator Traveler/Art Tourist; Curator as Critic, Collector, Gallery Owner; Curator as Participant  & Viewer; Academic & Institutional Curator Vs. the Everyday Armchair Curator; Curatorial Capitalism and Markets; and a Curatorial Information Exchange.
Pete Driessen © 2010.  Curator Flakes-Installation Detail (What Cereals Do Curators Eat?).  Color Xerox on Copy Paper.  8.5x11 Inches. Curatorial Cereal Taste Test.  The Curatorial Cult Club/Kwestion Quration? Walker Art Center Open Field, Minneapolis, MN. An artist curated, ten week participatory/performative solo exhibition and alternative publication project.  Image created at www.cerealfreak.com. Artist Internet Creation & Download.

Each week a brief structure was followed and expanded upon by the artist and participants:  Creating the sandwich board, conversing with participants, distributing visual study handouts, taking physical or hand written surveys, performing an interactive task(s), recording documentational cell phone photos and videos, as well as follow up with internet post distribution via social media.
Pete Driessen © 2010. Fly Swatter-Installation Detail (Smiley Face).  Internet Stock Photo Image. 8.5x11 Inches. Curator Fly Swatter Survey. The Curatorial Cult Club/Kwestion Quration? Walker Art Center Open Field, Minneapolis, MN. An artist curated, ten week participatory/performative solo exhibition and alternative publication project. Artist Internet Download.

One week offered the theme of the Pontoon Boat as Curatorial Ecosystem, where participants engaged in the topic of the common Pontoon Boat as a site for aesthetic, creative and curatorial exchange.  Another theme questioned human nature and curatorial behavior with What Cereals do Curators Eat?, by engaging viewers in an interactive and participatory Curator Flakes cereal taste test.   A live Curatorial Fly Swatter Survey was another theme, where common fly swatters were given to museum goers to curate, operate, and manipulate. 

Pete Driessen © 2010 Detecting Curation—Detritus #12/Detail (Wolfgang Puck Hamburger). Half Eaten Hamburger, Penny, Type Scale, Marker on Copy Paper.  8.5x11 inches. Performative “CSI” image of found hamburger.  Hamburger found by artist while detecting curatorial detritus around museum. Image 12 of 34 objects. The Curatorial Cult Club/Kwestion Quration?  Walker Art Center Open Field, Minneapolis, MN.  An artist curated, ten week participatory/performative solo exhibition and alternative publication project.  Artist Cell Phone Photo
A culminating exhibition and alternative publication was created with the theme, Detecting Curation, where participants used a metal detector around the museum commons to search for curatorial detritus. With a handheld, point-of-view cell phone video recording, the archeological digging and unveiling of found detritus, artifacts, and common waste became an alternative publication, as it was later placed in an anonymous labeled box on a picnic table. Each item discovered during the search was later documented and posted with a performative “CSI” image. 
I hope to  inform you in the coming blogs with further images and documentation. You can also view albums that I am still uploading on my facebook page at http://www.facebook.com/pete.driessen or for further information you can connect with the Walker Art Center Open Field website at http://walkerart.org/openfield.

Pete Driessen Visual Artist/Painter: Preview "Curatorial Cult Club/Kwestion Quration?"

Pete Driessen Visual Artist/Painter: Preview "Curatorial Cult Club/Kwestion Quration?"

Check out the new post on my blog! Thanks, pete

Saturday, June 12, 2010

Foot in the Door IV, MAEP Gallery, Minneapolis Institute of Arts, Minneapolis, MN February-June 2010.




Delirious Drone - Installation Views. Pete Driessen © 2010. 12x12 inches. Acrylic, Gloss Gel, Iridescent Tinting Medium, & Modeling Paste on Canvas. Installation images from Foot in the Door IV, MAEP Gallery, Minneapolis Institute of Arts, Minneapolis, MN, February-June 2010. Artist cellphone photo.

Friday, June 11, 2010

Gorgonica/New Works in Process


Gorgonica
Pete Driessen
New Works in Process
Art A Whirl 2010


Please be among the first to see Gorgonica/Pete Driessen/New Works in Process as you join us for complimentary refreshments during the 15th Annual NEMAA Art-A-Whirl Open Studio Tour.

The hybridic Gorgonica installation at the Casket Arts Complex studio continues my exploration of the ship form as a metaphorical site of social mystery and political wonder. The French philosopher Michel Foucault commented that “A ship is the ultimate Heterotopia,” and is a theoretical “counter space” where one can question our given culture and predominant conditions. With a juxtaposition of multiple two and three-dimensional vectors, the installation combines lightly textured, medium scale garish colored paintings on unstretched industrial canvas -- with loosely gestured, abstracts on smaller canvas, a fleet of mixed media ship sculptures, fifteen marching soft-water tanks, and a full scale Optimist Dinghy.

The in process ship sails of the Gorgon Fleet will eventually present collaged imagery from 1960’s stag magazines that questions mediated current events within our visual culture, but also combines it with four narrative characters: a wandering neurotic spider creating an inventive web, a serpentine octopus birthing tentacles of gorgons, a beached but hopeful Optimist Dinghy, and an untouchable walled-off bunker. The garage style installation uses the ship structure as a foil and metaphor to help understand our current societal problems and question our present human condition.

Included this year will be special guest photographer and Minneapolis Mosaic winner Sean Smuda exhibiting photographs in our back gallery. In tandem are the release of two new artist statements to the public: An Aesthetic List of 99 Art Critic Beers & Ales with Prices Separated into 3 Categories, and the List of Curating Praxis, Techniques & the General Thoughts That Go Thru a Curators Brain When Preparing, Producing, & Curating the Spatiality of a Prominent Museum Based Exhibition. Also included will be the release of the first limited edition series of Mnartist.org/Minnesota Saints artist baseball cards.

Public Opening: Friday May 14, 6-10pm
Hours: Friday, May 14, 6-10pm; Saturday May 15, 12-8pm; Sunday, May 16, 12-5pm
Where: 681 17th Avenue Northeast, Suite 117, Minneapolis, Minnesota, USA
Directions: Casket Arts is just north of downtown Minneapolis, east of I-94W, west of I-35W, and accessible from the Broadway Avenue, Lowry Avenue, University Avenue, and Central Avenue corridors. Casket Arts is on 17th Avenue Northeast between Madison & Jefferson Streets. On & off site parking is readily available. MTC bus service is one block away. Casket Arts has handicap access via loading dock.
Cost: Free & Open to the Public
For a list of Casket Arts Building Artists/Events/Activities:

For more information on NEMAA Art-A-Whirl:

Above Image: Pete Driessen © 2010, Rage Redue, 8x10 Inches, Digital Image Print, Image in Process. Image from Rage/Magazine for Men, Long Island City, NY: Natlus Inc., Vol. 2, #3, June 1962.

Saturday, March 27, 2010

My First Post Test #3


Welcome To the Pete Driessen Visual Artist Blog! Yep...That's me... This is a test post. Check out the following link that is not showing up! link:href="http://www.mnartists.org/pete_driessen">

My First Post Test #2


Welcome to my first post test #2. Pete Driessen is a brilliant and prolific visual artist and painter.